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The reintroduction of Margarett Sargent, whose works haven’t been exhibited since 1936, brings back a lost world of wealth and privileged bohemianism. These intriguing paintings conjure a creator in whom independence, self-indulgence intelligence, passion and a restless quest for beauty mingle to both productive and self-destructive effect.  
—Art in America
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    The New School
    School of Writing
    Nonfiction Coordinator for the MFA program
    Teaching a Nonfiction Seminar


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    Columbia School of the Arts
    MFA program
    Nonfiction workshop

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    Deeper Memory: A generative workshop

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