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The reintroduction of Margarett Sargent, whose works haven’t been exhibited since 1936, brings back a lost world of wealth and privileged bohemianism. These intriguing paintings conjure a creator in whom independence, self-indulgence intelligence, passion and a restless quest for beauty mingle to both productive and self-destructive effect.  
—Art in America
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    Teaching

    Spring 2012

    Bedell Visiting Distinguished Writer in Creative Nonfiction
    University of Iowa

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    Honor read at the University of Richmond on September 6, 2011

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